Cordoba, Spain
Teatro Góngora
Reopened in 2011, this theater continues to be one of the few examples of architectural rationalism and a cultural centerpiece of Córdoba, Spain.
Cordoba, Spain | C.785
When builders began Córdoba’s grand mosque in 785, they scavenged columns from Roman temples and Visigothic churches across southern Spain: marble, jasper, granite, capitals of every description. The salvaged pillars were too short to reach ceiling height, so architects set horseshoe arches atop the columns and stacked a second tier of semicircular arches above them, banded in red brick and white stone, turning a supply problem into what would eventually become 856 columns of accidental genius. Then in 1523, a Renaissance cathedral was carved straight into the prayer hall’s heart, prompting Charles V to reportedly lament he’d destroyed something unique for something ordinary.
The mosque was founded by Abd al-Rahman I, an Umayyad prince who had fled Damascus, and his successors enlarged the hall several times over the next two centuries. In 961, al-Hakam II added a new mihrab, an ornate niche fronted by a horseshoe arch and encrusted with gold mosaic. It faces south rather than toward Mecca, reportedly following the orientation of the mosque in Damascus. Ferdinand III took Córdoba in 1236, and the building was consecrated as a cathedral that same year. For nearly three centuries afterward, most Christian additions stayed at the edges. The 1523 nave ended that restraint, though the mihrab was largely spared. Even the name remains a matter of negotiation: after a dispute between the church and the city in the 2010s, it is now officially diplomatic as the Mosque-Cathedral. Charles V, for his part, had reportedly approved the project without ever having seen the building.
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